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L'Atalante

Casa Portuguesa
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EXD05

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CORTE REAL
C.M.MOITA

Global Models
A house represents something of what we are. It is the place which shelters us and our objects. It is where we accumulate memories, where we guard our ambitions, desires and anxieties, where we locate our everyday life, as if it could take tangible form. There is always the house where we grew up. A house where we studied, where we loved, or simply, where we were. There is always a house we remember, and a house where we die. Just as there is always a house we go back to.

In an apparent contradiction, the walls of a house enclose the space where we can be free, released from any social, moral or political constraints; protected by these walls, we find the space for intimacy. In this sense, the house becomes a kind of possibility for individual expression of that which belongs to it: an intimate object.

The Idea of the House presupposes the idea of living, and therefore the idea of an occupant who makes it a Home. Where he spends a significant part of his life, where he seeks physical and mental shelter, and where each citizen may recognize himself, removed from the rules of social being. This means that every house is associated with concepts such as privacy, intimacy and, generally, family.

But a house is also a stage set: it reveals not only what we are, but what we would wish to be. This makes the house a vehicle for each person’s representation of himself, as if each house were a kind of primary external extension of each of us; superimposing on our most private life an eminently public dimension.

All these notions of domesticity which influence the way modern dwellings are organized and function are actually recent concepts, which have become standard because of the rise of a middle class capable of demanding its own space, from which we have inherited a whole system for the organization of domestic life, which in itself brings a set of rules on living spaces. This in fact reflects, and imposes, an entire code of social, affective and behavioural conduct in modern society.

The House is today a kind of stereotype, a common place which we nonetheless accept as our own.

Local Houses

But we know that all the changes which have taken place in Portugal over recent decades have interfered decisively with our collective and individual lifestyles and habits. The frontier between local and global has been watered down, the division between public and private has become hazy, we manipulate materials with the same agility we apply to digital media, we transform the organic into the technological. Of the social fabric of thirty or forty years ago, we are left with only revivalisms and anachronisms.

As we have changed our consumer and leisure habits, levels of education and culture, dogmas, models and ideas, our collective space is expressed increasingly in the singular. And each individual’s worth is measured, above all, by that which distinguishes him from those around him.
In this sense there is a clear paradox between standard housing – everyday space – and the need to individualize it. Whilst each person seeks his meaning in that which is his, and unique, all his space should reflect this: a space which reflected his own nature and habits. A space which would be moulded to his ways and customs, which served his needs, and which somehow reflected his way of reflecting that which surrounds him.

The standard habitat model clashes with the attributes of the contemporary world. And this is visible in the normalization of types and images (flying in the face of individuality), and also, perhaps more simply, in the contradiction in terms in relation to that which each habitat offers today to the contemporary person. Because if all the changes which have taken place in fields as distinct as psychology, the arts, politics, religion, sexuality and anthropology bring with them consequences for the changing dynamics of nuclear families, this is not reflected in our everyday spaces.

If there is any conclusion to draw from all this, it is that we live in a physical space that is not ours (any more).

Portuguese House

With the advent of modern age the House became the most meaningful matter of study in the development of Architecture, allowing a laboratorial inquiry concerning the application of ideas, concepts, and construction technologies. Due to the reduced scale and the constant evolution of its functional program, the House represents, for Architecture, a kind of prototype; providing a physical extension of theoretical manifestos, specially in the outcoming of the modern vanguards.
What we demanded the twelve architecture authors was that they could use this prototype condition of the House as a possibility of experimentation and revision of models and concepts related to the contemporary habitat; having as work substance the Portuguese reality – Today…

It was suggested to each participant a set of purposes that should fit their own inquiries. Statistical data allowed to identify the Portuguese standard family, the main used tipology, the average constrution cost, and the type of technology associated with unifamiliar house construction.
The experience we present here pressuposes the understanding of the habitacional cell, and it’s role in the contemporary Portuguese society. This means an investigation about the qualities of the spaces wich normaly compose a house, their internal centrality, the links and disjunctions wich they propose to lodge our daily life.

This means that the spaces reflect the way they connect between them. In this typological model remains our ability to understand habits, relations, and behaviours of a typical portuguese family. As if the house was the minimum cell of the whole society in analysis.

However, more than a simple inquiry experience, The Portuguese House intends to diffuse the newest portuguese architectural reality. This means that each one of the twelve Portuguese Houses was based in a real comission, obeying the usual constraints of the architectural production, specially those concerning cost control, forms and constructive technologies to be implemented.

The exhibition The Portuguese House will give origin to a experimental quarter in the Empreendimento Corte Real, nearby Sarilhos Pequenos village, in the Moita Council, being part of a Local Development Strategy. The main aim of this inquiry is to evaluate the market: each one of the twelve houses will be for sale, not exceeding the current values of real estate market.

01_a.s*
O Labirinto da Saudade

02_Atelier do Corvo
Casa em Montado de Sobro


03_B quadrado
Casa plug-n’-play.pt


04_marcosandmarjan
Lofting House


05_S'A arquitectos
Pentaminó


06_go/a arquitectos
Casa Volare


07_PAHR!
Casa PARA[SOL]


08_AIRRIGHTS
Casa Ascendente


09_Pedro Campos Costa
Casa Não Casa


10_Nuno Merino Rocha
Casa dos Três


11_Bernardo Rodrigues
O Labirinto e a Borboleta


12_Pedro Gadanho
Casa Schizome